Production
The Fontal armchair was based on solutions –like the union of the canes without bindings– that had already been successfully studied in the chair of the same name. I abandoned the grid, replacing it with fine rattan canes, which remain parallel thanks to the continuous piece that forms the arms and returns under the seat and behind the backrest. This is the secret of the design.
The structure, as well as the small canes of the seat, can be in a natural color or dyed in various colors.